Located in the south west of France, she benefited from
her frequent excursions that enriched her experimentation with the mineral-plant
In the seventies, she began working with raku, a traditional japanese
technique which she gave up to persue a more personnal process. During
her travels ( Africa, Nepal, Greece …. ) she observed traditional
habitats and became interested in the sign.
This leads her to integrate her work into building and to be concerned
with problems of architecture in the search of a physical and aesthetic